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Liebe in der Stadt | Plot summary is not entirely important (and would spoil potential surprises), suffice to say that the movie is uniquely structured and may not proceed the way you expect it to. Film: L'Avventura 1960. L'avventura - Aventura. Der Film stieß zwar bei der Erstaufführung 1960 in Cannes aufgrund der ungewohnten Filmsprache auf Kritik, wurde aber dennoch mit zahlreichen Preisen ausgezeichnet und gilt „als Meilenstein des europäischen Kinos“. Sandro relents and gets off the train at Castroreale. They explore the island and find nothing. Und wenn ich von der Tonspur spreche, spiele ich auf natürliche Töne an, Geräusche, mehr als Musik. The next morning, she wakes in a joyful mood, dancing and singing in the room while Sandro looks on amused. Time Out says. An iconic piece of challenging 1960s cinema and a gripping narrative on its own terms, L'avventura concerns the enigmatic disappearance of a young woman during a yachting trip off the coast of Sicily, and the search taken up by her disaffected lover and best friend. While Claudia waits downstairs, Anna and Sandro make love in his house. [10] The sequence where Sandro and Claudia visit a deserted town was shot in Santa Panagia, near Catania in Sicily; buildings there were commissioned by Benito Mussolini, and were examples of fascist architecture of the Mezzogiorno. Antonioni has stated that he "woke up every morning at 3 o'clock in order to be alone and reflect on what I was doing in order to re-load myself against fatigue and a strange form of apathy or absence of will, which often took hold of us all. After they pass Basiluzzo, Anna impulsively jumps into the water for a swim, and Sandro jumps in after her. Alle Hinweise auf ihrer Suche entpuppen sich als falsch. Sandro and Claudia resume their search together and drive south. They hear a boat nearby. Directed by Michelangelo Antonioni. Mein Favorit aus der Trilogie ist "La Notte" und stellt für mich den künstlerischen Hohepunkt Antonionis dar. Developed from a story by Antonioni with co-writers Elio Bartolini and Tonino Guerra, the film is about the disappearance of a young woman (Lea Massari) during a boating trip in the Mediterranean, and the subsequent search for her by her lover (Gabriele Ferzetti) and her best friend (Monica Vitti). Lea Massari erkrankte vorübergehend schwer. Die große Rolle | Antonioni's film rewrote the language of cinema, questioning its addiction to storytelling and opening up the possibility for other, more enigmatic and poetic forms of expression. The next… Download to watch Offline. Nachdem auch die Polizei erfolglos eingeschaltet worden ist, trennt sich die Gruppe. Die Nacht | Like Alfred Hitchcock in the same year’s Psycho, Michelangelo Antonioni upturned expectation by getting rid of his film’s ostensible protagonist early on. A digitally restored version of the film (optimal image quality: RSDL dual-layer edition) was released on DVD by The Criterion Collection(under license of Columbia TriStar) in June 2001. [26] Roger Ebert wrote that he came to like the film later in life when he began to admire the "clarity and passion Antonioni brought to the film's silent cry of despair. [32] In 2010, it was ranked #40 in Empire magazine's "The 100 Best Films of World Cinema. Aufgrund seiner außergewöhnlichen Filmsprache gilt der Film als Meilenstein des europäischen Kinos und bildet zusammen mit Die Nacht und Liebe 1962 eine Trilogie. Booed on its first showing by an audience expecting a conventional mystery story, L’Avventura is now regarded as a key work of European arthouse cinema and one of the peaks of Michelangelo Antonioni ’s coolly distanced style. Claudia remains torn between her feelings for Sandro and her friendship with Anna. Kinder unserer Zeit | "[27] Geoff Andrew of Time Out criticized the film, writing that "If it once seemed the ultimate in arty, intellectually chic movie-making, the film now looks all too studied and remote a portrait of emotional sterility. Afterward, L’avventura won the festival’s Special Jury Prize. Directed by Michelangelo Antonioni • 1960 • France, Italy Starring Gabriele Ferzetti, Monica Vitti Michelangelo Antonioni invented a new film grammar with this masterwork. Laughs continued through the runtime, joined by boos. An iconic piece of challenging 1960s cinema and a gripping narrative on its own terms, L’AVVENTURA concerns the enigmatic disappearance of a young woman during a yachting trip off the coast of Sicily, and the … Im deutschen Fernsehen wurde der Film dann ungekürzt gezeigt. Sandro goes for a walk to the Piazza Municipio, where he notices an ink sketch left by one of the students. Sandro, Corrado, and Claudia continue their search and end up at a shack where they stay the night. After a second screening, the film went on to win the Jury Prize[16] at the same festival, and went on to international box office success and what has been described as "hysteria." As they talk, Sandro takes offense at Claudia's suggestion that Anna's disappearance is somehow due to his neglect. Préface à une vie d'écrivain. Stream Now. This article is about the Antonioni film. L'Avventura was the film which brought Antonioni to international prominence, and was the first part of a loose trilogy which also comprised La notte and L'Eclisse. L’Avventura is sometimes classified as the first film of Antonioni’s “trilogy of alienation”, which included his immediately succeeding films, La Notte (1961), and L’Eclisse (1962), but there is nothing to distinguish these three from earlier and later Antonioni works, other than, perhaps, the heightened emphasis on the anguish caused by the seemingly inevitable impermanence of love. With introduction by Alexander Payne before the Tuesday, October 22, screening! August 2020 um 18:51 Uhr bearbeitet. L'Avventura (English: "The Adventure") is a 1959 Italian film directed by Michelangelo Antonioni. Suddenly he asks Claudia to marry him, but she says no—things are too complicated. Film blog Michelangelo Antonioni: centenary of a forgotten giant Peter Bradshaw: The Italian master's challenging and difficult L'Avventura was booed at its premiere in Cannes. Die mit der Liebe spielen (Originaltitel: L’avventura) ist ein in Schwarzweiß gedrehtes italienisch-französisches Filmdrama von Michelangelo Antonioni. In presenting the teeming uncertainty of modern life without offering the slightest recourse of a motive or explanation, Michelangelo Antonioni provoked audiences to look at films in a new way. Gene Youngblood stated that audience members usually booed during long sequences where nothing happened to further the film's plot, but has asserted that "quite a lot is happening in these scenes. L'Avventura was nominated for numerous awards and was awarded the Jury Prize at the 1960 Cannes Film Festival. "[10] Antonioni and Vitti, who claimed she was sobbing, fled the theater. Meanwhile, Claudia meets her boating companions at Corrado's Villa Montaldo in Palermo. Audience members shrieked and hollered at the film, dissatisfied with his frequent use of long takes. The police announce that smugglers were arrested nearby and are being held in Milazzo. Shooting began in August 1959 and lasted until January 15, 1960. Mein Favorit aus der Trilogie ist "La Notte" und stellt für mich den künstlerischen Hohepunkt Antonionis dar. So endet der Film, ohne dass Anna wieder aufgetaucht ist. Februar 1961 in einer um rund 40 Minuten gekürzten Fassung in den Kinos der BRD. [1] According to an Antonioni obituary, the film "systematically subverted the filmic codes, practices and structures in currency at its time. They drive into Rome to Isola Tiberina near the Pons Fabricius to meet Anna's boyfriend, Sandro (Gabriele Ferzetti). [10], After completing the island sequence, filming continued throughout Sicily and Italy. The next day, however, the filmmakers were sent a list of signatures from established filmmakers and writers who declared that L'Avventura was the best movie screened at Cannes. Eventually, the crew went on strike and Antonioni and his assistant director shot the film themselves. Distributie Gabriele Ferzetti, Monica Vitti. From new directors to award-winners. The film made Monica Vitti an international star. There is a mystery, and romance; but not in any traditional sense. Alexander says: “An infinitely mysterious and seductive film, ‘L’avventura’ presented a new sense of film language to the world and established Antonioni as one of our greatest directors. Sinoposis L'avventura: "Ideea filmului este constatarea unei stari de fapt: trăim astăzi într-o epocă de instabilitate extremă - politică, The Cannes Film Festival premiere of L’avventura in 1960 met with catcalls from audiences frustrated with the film’s inconclusiveness and the slowness of its pacing. "L'Avventura" marks the beginning of Antonioni's maestro phase of the 1960s, after which he created other great works such as "L'Eclisse" and "Red Desert". Uwe Müller: Der intime Realismus des Michelangelo Antonioni. Mein Favorit aus der Trilogie ist "La Notte" und stellt für mich den künstlerischen Hohepunkt Antonionis dar. [2][1][24][25] Youngblood has stated that "very few films in the history of cinema have broken the standard rules of cinematic grammar so elegantly, so subtly, as this film. Because as I have said, our moral values are old. Regizat de Michelangelo Antonioni. Dies dürfte auch der Grund für die Empörung des Publikums bei den Filmfestspielen von Cannes 1960 bei der Vorstellung von "L' avventura" gewesen sein, da es sich persönlich negativ getroffen fühlte! Sandro stops to admire her beauty. Durch das schlechte Wetter konnte zudem das Versorgungsboot nicht an der Insel anlegen, weshalb das Filmteam oft bei wenig Verpflegung und dürftiger Kleidung in einer Hütte und in Zelten auf der Insel übernachten musste. "[28] Michael Phillips of the Chicago Tribune defended the film against Andrew's criticism, writing that "It's easy to bash Antonioni as passe. Learn how and when to remove this template message, Italian National Syndicate of Film Journalists, "What makes Antonioni's L'avventura great", "The Greatest Films Poll (Sight & Sound): L'avventura", Intolerance: Love's Struggle Throughout the Ages, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, https://en.wikipedia.org/w/index.php?title=L%27Avventura&oldid=994220202, Short description is different from Wikidata, Articles containing explicitly cited English-language text, Wikipedia articles with plot summary needing attention from January 2019, All Wikipedia articles with plot summary needing attention, Creative Commons Attribution-ShareAlike License, Angela Tomasi di Lampedusa as The Princess, Renato Pinciroli as Zuria, the journalist, Chiesa del Collegio, Noto, Syracuse, Sicily, Italy (where Claudia rings the church bells), Church of San Domenico, Piazza San Domenico 5, Taormina, Messina, Sicily, Italy, Church of San Francesca, Piazza Immacolata, Noto, Syracuse, Sicily, Italy, Corso Umberto, Bagheria, Palermo, Sicily, Italy, Lisca Bianca, Aeolian Islands, Messina, Sicily, Italy (the island from which Anna disappears), Museo Civico, Convent of Santissimo Salvatore, Duomo, Noto, Syracuse, Sicily, Italy (which is closed to Sandro), Palermo Town Hall, Palermo, Sicily, Italy, Piazza Garibaldi, Corso Umberto, Bagheria, Palermo, Sicily, Italy, Piazza Immacolata, Noto, Syracuse, Sicily, Italy, Piazza Municipo, Noto, Syracuse, Sicily, Italy (where Sandro "accidentally" spills the ink), Piazza San Domenico 5, Taormina, Messina, Sicily, Italy. Like Alfred Hitchcock in the same year’s Psycho, Michelangelo Antonioni upturned expectation by getting rid of his film… In Troina, Sandro questions the chemist who claimed to have sold tranquilizers to Anna. Die Freundinnen | No one seems to take Anna's disappearance seriously except Claudia. It is one of the festival's more notorious reactions. Claudia arrives, and they learn that the woman identified by the chemist left on a bus to Noto in southern Sicily. The Cannes Film Festival premiere of L’avventura in 1960 met with catcalls from audiences frustrated with the film’s inconclusiveness and the slowness of its pacing. Mein Favorit aus der Trilogie ist "La Notte" und stellt für mich den künstlerischen Hohepunkt Antonionis dar. The reaction was so disheartening that Antonioni and the star of the film, Monica Vitti, fled the screening. Later onboard Anna confesses to Claudia that the "whole shark thing was a lie," apparently to get Sandro's attention. Claudia asks Sandro to go in alone. L’Avventura received a special prize at the 1960 Cannes Film Festival for “creating a new film language”. [21], L'Avventura influenced the visual language of cinema, changing how subsequent films looked, and has been named by some critics as one of the best made. Read more. Zabriskie Point | Michelangelo Antonioni’s enigmatic L’Avventura premiered at Cannes in 1960 to a famously divisive reception. Anna is unhappy with his long business trips. During the search, her lover and her best friend become attracted to each other. The next morning the yacht reaches the Aeolian Islands north of Sicily. "Both directors were Italian, both depicted their characters in a fruitless search for sensual pleasure, both films ended at dawn with emptiness and soul-sickness. A poem after the Antonioni film L’avventura by Dwayne Barrick L’avventura 1. Claudia runs off, and Sandro follows her onto the hotel terrace where he finds her quietly weeping. Antonioni usually only used diegetic music in his films and this was one of the latter times that he (briefly) included a musical score for scenes other than during the credits. Michelangelo Antonioni invented a new film grammar with this masterwork. Gegen Ende des Films treffen sie in einem Hotel in Taormina ein, wo gerade ein rauschendes Fest stattfindet. "[20], Alexander Walker judged it the best film ever made. It's harder, I think, to explain the cinematic power of the way his camera watches, and waits, while the people on screen stave off a dreadful loneliness. Uwe Müller: Der intime Realismus des Michelangelo Antonioni. However, it has been criticized by others for its seemingly uneventful plot and slow pacing, along with the existentialist themes. Dieser Film hat Geschichte geschrieben und viele Regisseure motiviert, neue Wege zu gehen. Out now on DVD: http://www.criterion.com/films/209-l-avventura She says it would be easier if they sacrifice now and deny their attraction, but Sandro sees no sense in sacrificing anything. Für mich ist das die wahre Musik, die zu den Bildern paßt.“, „Trotz kolportagehafter Handlung ein ernsthafter, in Spiel und Darstellung hervorragender Film, der Antonionis tiefen Pessimismus spiegelt.“, Chronik einer Liebe | After noticing Claudia admiring her blouse, she tells her to put it on, that it looks better on her, and that she should keep it. When she thinks she sees Sandro and Anna coming down the stairs she runs into a paint store, but Sandro follows and confirms that Anna is not there. "[29], It has appeared on Sight & Sound's prestigious list of the critics' top 10 greatest films ever made three times in a row: It was voted second in 1962,[30] fifth in 1972 and seventh in 1982. Während der Dreharbeiten auf Lisca Bianca ging die Produktionsgesellschaft pleite.

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